Contents
Acknowledgments
Introduction
“The story is complete for all time”
Mass Photography for the Future of History
Chapter One
“One did not ‘take’ a camera”
The Roots of Tourist Photography
Chapter Two
“The World is mine—I own a KODAK”
Marketing Memory and Privilege
Chapter Three
“Side Trips in Camera-Land”
Tourism and the Visual Record
Chapter Four
“When I Send You a Picture of Berlin”
The Memory Emergency of the First World War
Chapter Five
“A visible token”
Expanding the Promise of the Kodak in the Interwar Years
Conclusion
The Legacy of the First Generation of Mass Tourism and Portable Photography
Notes
Index